I presented a plan for a future art exhibition to some influential people and they seemed to find it interesting, but a bit “alien”. I often get this feedback. Now there are two options: should I try to find those who consider my projects “normal” and familiar, or train these ones?
I am not sure what is the best.
Maybe the best is to be clear about my vision and see how I find the necessary collaboration, partners, artists, and all that is necessary, no matter the place, time, etc.
Now, if both myself and my plans seem strange, I will need something more than becoming familiar to decision-makers. I need an extra ambitious plan to get ahead. The artists and planners (I was almost writing wedding planners) who are well-integrated, either were Parisians all along, or had a mentor who pushed them in. They don’t have to worry about that.
I came from a tiny village in the South of France, my family had nothing to do with the fancy artistic world, apart from the fact they are art lovers. So, in a very conservative place like the Parisian art world, either I will accept my fate: that of an outsider who is present at the margins and should be happy with it.
Or, I pass to Plan B. Not only change of perspective, but also change of scale.
How is this going to be possible?
I need Santa for this one too.