the tempest came at night for the second time, after a day that was hot but also rainy and sunny.
I decided to take it easier and accompany my friends only to the Beaubourg Museum.
Just before entering, we had coffee with T, the friend I am hosting until tomorrow. We talked about life and relationsips. He told me he is alone after breaking up with a woman who wanted to have a family. He didn’t want children. For the last year he was having sex “occasionaly” with a colleague of his who lives in the States. It’s not a relationsip, he specified, he didn’t believe in long-distance relationships. It was more of a way to fill the void until another relationship came up.
I wondered if a non-relationship time is a void. And if you fill it in this way.
What I know for sure is that I wouldn’t make this choice for myself. If I am with someone, it is because I like this person and we create something together. He can be close or far. Feelings, in my case, is what it is all about.
After that we entered the Beaubourg, one of my favorite museums in Paris, and went to see part of “The Clock”. The 24 hour film that was distinguished at the Venice festival of 2011, by Christian Marclay. Extracts of films from different times and cultures, that show watches, time going by. We entered at 14.00, it was 14.00 screen-time also. After an hour and a half, I went out.
My friend T stayed in for hours. Maybe to fill in the time while waiting for something to happen.
I left after an hour and a half. It was impressive, but it was time to act in my own temporality. It is time to create my every-day contemporary art, simply by living 24 hours around the clock.
Sunday was a Museum day: my friend T arrived from Switzerland with a big list of art exhibitions that were a must to him: among them, the Grand Palais and the Palais de Tokyo. Two of the museums that host contemporary art exhibitions. He hardly left his suitcase, and we started running around the city.
I am usually lazy on Sundays. I like to take things easy. But there was no time to lose.
We started with Bill Viola, the video artist, at the Grand Palais: it was very impressive, the first time actually I was acquainted with his work: conceptual videos on life, death and transfiguration, that were like moving paintings. My friend was also interested in the second Grand Palais exhibition: the photographs of Robert Mapplethorpe.
Next stop: Palais de Tokyo. We were to join other friends, there, and his colleague who was in Paris. To begin with, “Flamme Eternelle”, or Eternal Flame, by Thomas Hirschhorn who lives and works in Paris. Inspired also by contemporary political philosophers, he creates a space that is free and open to the public. So different from the other exhibition of the photograph Sugimoto.
This intensive visitation is not at all my style. I’d rather be slow with a work of art, a person, and a situation. And choose one at a time. I’d rather take all my time. That makes also a choice more important.
I left them with Sugimoto and went to the museum café. There is a beautiful terrace outside, between the Palais de Tokyo and the Musée d’Art Modern that overlooks the river, la Seine. There were some adolescents with their skates, occupying part of the museum terrace. Tourists taking photos: families, couples, friends, all ages, different origins. The light was beautiful, and the “bateau-mouches” were passing by. Another form of “contemporary art”, an installation were I was participating myself.